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  1. Home /
  2. Archives /
  3. Vol 6 No 2 (2017): Summer

Published: 2019-09-06

Editorials

  • Maria Rosario Jackson
    Editors' Introduction to Special Issue Creative Placemaking and Arts Entrepreneurship
    Maria Rosario Jackson, Greg Esser
    1–4
    • PDF

Articles

  • Cincinnati Art Museum. Attribution: <p style="font-size: 0.9rem;font-style: italic;"><a href="https://www.flickr.com/photos/27919058@N00/404898409">"CAM - FEB - 2007"</a><span>by <a href="https://www.flickr.com/photos/27919058@N00">Richard Cawood</a></span> is licensed under <a href="https://creativecommons.org/licenses/by-nc/2.0/?ref=ccsearch&atype=html" style="margin-right: 5px;">CC BY-NC 2.0</a><a href="https://creativecommons.org/licenses/by-nc/2.0/?ref=ccsearch&atype=html" target="_blank" rel="noopener noreferrer" style="display: inline-block;white-space: none;opacity: .7;margin-top: 2px;margin-left: 3px;height: 22px !important;"><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-by_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.
    Public Perceptions of Artists in Communities A Sign of Changing Times
    Jennifer Novak-Leonard, Rachel Skaggs
    5–22
    • PDF
  • Handshake. Attribution: <p style="font-size: 0.9rem;font-style: italic;"><a href="https://www.flickr.com/photos/101451765@N03/9699564491">"Business handshake"</a><span>by <a href="https://www.flickr.com/photos/101451765@N03">esbhr2012</a></span> is licensed under <a href="https://creativecommons.org/licenses/by-nc-sa/2.0/?ref=ccsearch&atype=html" style="margin-right: 5px;">CC BY-NC-SA 2.0</a><a href="https://creativecommons.org/licenses/by-nc-sa/2.0/?ref=ccsearch&atype=html" target="_blank" rel="noopener noreferrer" style="display: inline-block;white-space: none;opacity: .7;margin-top: 2px;margin-left: 3px;height: 22px !important;"><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-by_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-nc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-sa_icon.svg" /></a></p>
    Partnership Strategies for Creative Placemaking in Teaching Entrepreneurial Artists
    Amy Whitaker
    23–31
    • PDF
  • Orchestra. Attribution: <p style="font-size: 0.9rem;font-style: italic;"><a href="https://www.flickr.com/photos/14439816@N06/2126665247">"Villa Julie College DSC_3472"</a><span>by <a href="https://www.flickr.com/photos/14439816@N06">go mustangs</a></span> is licensed under <a href="https://creativecommons.org/licenses/by-nc-sa/2.0/?ref=ccsearch&atype=html" style="margin-right: 5px;">CC BY-NC-SA 2.0</a><a href="https://creativecommons.org/licenses/by-nc-sa/2.0/?ref=ccsearch&atype=html" target="_blank" rel="noopener noreferrer" style="display: inline-block;white-space: none;opacity: .7;margin-top: 2px;margin-left: 3px;height: 22px !important;"><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-by_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-nc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-sa_icon.svg" /></a></p>
    Inspiring Soulful Communities Connecting Arts Entrepreneurship Education and Community Development Via Creative Placemaking
    Kevin Wilson, Roger Mantie
    32–45
    • PDF
  • London Bridge. Image Attribution: <p style="font-size: 0.9rem;font-style: italic;"><a href="https://www.flickr.com/photos/32826988@N00/181366980">"London bridge"</a><span>by <a href="https://www.flickr.com/photos/32826988@N00">photosinframes</a></span> is licensed under <a href="https://creativecommons.org/licenses/by-nc-nd/2.0/?ref=ccsearch&atype=html" style="margin-right: 5px;">CC BY-NC-ND 2.0</a><a href="https://creativecommons.org/licenses/by-nc-nd/2.0/?ref=ccsearch&atype=html" target="_blank" rel="noopener noreferrer" style="display: inline-block;white-space: none;opacity: .7;margin-top: 2px;margin-left: 3px;height: 22px !important;"><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-by_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-nc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-nd_icon.svg" /></a></p>
    Just Planning: What Has Kept the Arts and Urban Planning Apart?
    Tom Borrup
    46–57
    • PDF
  • Philadelphia Museum of Art. Attribution: <p style="font-size: 0.9rem;font-style: italic;"><a href="https://www.flickr.com/photos/19761391@N06/7265536236">"Philadelphia museum of art"</a><span>by <a href="https://www.flickr.com/photos/19761391@N06">Andos_pics</a></span> is licensed under <a href="https://creativecommons.org/licenses/by-nc-sa/2.0/?ref=ccsearch&atype=html" style="margin-right: 5px;">CC BY-NC-SA 2.0</a><a href="https://creativecommons.org/licenses/by-nc-sa/2.0/?ref=ccsearch&atype=html" target="_blank" rel="noopener noreferrer" style="display: inline-block;white-space: none;opacity: .7;margin-top: 2px;margin-left: 3px;height: 22px !important;"><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-by_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-nc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-sa_icon.svg" /></a></p>
    Creative Democracy: Applying the Lessons of Creative Placemaking to Policymaking
    Kiley Arroyo
    58–72
    • PDF
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Artivate: A Journal of Entrepreneurship in the Arts is a publication of the University of Arkansas Press and is supported in part by generous funding from the J. William Fulbright College of Arts and Sciences and the Sam M. Walton College of Business at the University of Arkansas.

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