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  1. Home /
  2. Archives /
  3. Vol 7 No 1 (2018): Winter

Published: 2019-09-06

Editorials

  • Linda Essig
    Editor's Introduction to the Winter 2018 Issue
    Linda Essig
    1–2
    • PDF

Articles

  • Barcelona, Catalonia, Spain. Attribution: <p style="font-size: 0.9rem;font-style: italic;"><a href="http://www.flickr.com/photos/83372564@N00/32903272106">"Barcelona, Catalonia, Spain"</a><span>by <a href="http://www.flickr.com/photos/83372564@N00">J. Stephen Conn</a></span> is licensed under <a href="https://creativecommons.org/licenses/by-nc/2.0/?ref=ccsearch&atype=html" style="margin-right: 5px;">CC BY-NC 2.0</a><a href="https://creativecommons.org/licenses/by-nc/2.0/?ref=ccsearch&atype=html" target="_blank" rel="noopener noreferrer" style="display: inline-block;white-space: none;opacity: .7;margin-top: 2px;margin-left: 3px;height: 22px !important;"><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-by_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-nc_icon.svg" /></a></p>
    Music Entrepreneurs in a Linguistic Minority Context Effectuation as Adaptation to the Paradoxes of Digital Technologies
    Joëlle Bissonnette, Sébastien Arcand
    3–22
    • PDF
  • National Centre for Performing Arts. Attribution: <p style="font-size: 0.9rem;font-style: italic;"><a href="https://www.flickr.com/photos/33401512@N07/4853058439">"National Centre for Performing Arts"</a><span>by <a href="https://www.flickr.com/photos/33401512@N07">inkelv1122</a></span> is licensed under <a href="https://creativecommons.org/licenses/by-nc/2.0/?ref=ccsearch&atype=html" style="margin-right: 5px;">CC BY-NC 2.0</a><a href="https://creativecommons.org/licenses/by-nc/2.0/?ref=ccsearch&atype=html" target="_blank" rel="noopener noreferrer" style="display: inline-block;white-space: none;opacity: .7;margin-top: 2px;margin-left: 3px;height: 22px !important;"><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-by_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-nc_icon.svg" /></a></p>
    Arts Entrepreneurship and Cultural Policy Innovation in Beijing
    Shoshanah B. D. Goldberg-Miller, Yan Xiao
    23–47
    • PDF
  • Providence, RI. Attribution: <p style="font-size: 0.9rem;font-style: italic;"><a href="https://www.flickr.com/photos/80992738@N00/3993419941">"Providence Autumn"</a><span>by <a href="https://www.flickr.com/photos/80992738@N00">Mr. Ducke</a></span> is licensed under <a href="https://creativecommons.org/licenses/by-nc/2.0/?ref=ccsearch&atype=html" style="margin-right: 5px;">CC BY-NC 2.0</a><a href="https://creativecommons.org/licenses/by-nc/2.0/?ref=ccsearch&atype=html" target="_blank" rel="noopener noreferrer" style="display: inline-block;white-space: none;opacity: .7;margin-top: 2px;margin-left: 3px;height: 22px !important;"><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-by_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-nc_icon.svg" /></a></p>
    Keying In: Getting Close to 186 Carpenter, Creative Placemaking, and the Artist Entrepreneur
    Tyler French
    49–62
    • PDF

Book Reviews

  • Scales of justice. Attribution: <p style="font-size: 0.9rem;font-style: italic;"><a href="https://www.flickr.com/photos/34534185@N00/114518457">"Scales of Justice Courts-1+"</a><span>by <a href="https://www.flickr.com/photos/34534185@N00">Sheba_Also 15.6 Million Views</a></span> is licensed under <a href="https://creativecommons.org/licenses/by-sa/2.0/?ref=ccsearch&atype=html" style="margin-right: 5px;">CC BY-SA 2.0</a><a href="https://creativecommons.org/licenses/by-sa/2.0/?ref=ccsearch&atype=html" target="_blank" rel="noopener noreferrer" style="display: inline-block;white-space: none;opacity: .7;margin-top: 2px;margin-left: 3px;height: 22px !important;"><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-by_icon.svg" /><img style="height: inherit;margin-right: 3px;display: inline-block;" src="https://search.creativecommons.org/static/img/cc-sa_icon.svg" /></a></p>
    Book Review of Creative Justice: Cultural Industries, Work and Inequality by Mark Banks
    Johanna K. Taylor
    63–65
    • PDF
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Artivate: A Journal of Entrepreneurship in the Arts is a publication of the University of Arkansas Press and is supported in part by generous funding from the J. William Fulbright College of Arts and Sciences and the Sam M. Walton College of Business at the University of Arkansas.

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