From Gung Ho Heroes and Their Tragic Counterparts to Catalyst Characters

Figures of the Cultural Entrepreneur in the Scholarly Literature

Authors

DOI:

https://doi.org/10.34053/artivate.11.2.178

Keywords:

cultural entrepreneurship, creative work, figures, gig economy, precarity

Abstract

The term cultural entrepreneurship is increasingly used in academic research to address the intersection of business developments and creative work. However, the concept itself is disputed. Unpacking varying definitions of the term, this article revisits literature on the topic, searching for the figures of the cultural entrepreneur that scholars create. The article suggests that the literature is dominated by hero figures, who are based on retrospective analyses of successful individuals, and tragic hero figures, who summarize the situation for most self-employed creatives, establishing a bleak outlook. As an alternative, the article suggests seeing cultural entrepreneurs as catalyst figures.

Author Biography

Sara Malou Strandvad, University of Groningen

Sara Malou Strandvad's research focuses on cultural production processes. Merging inspiration from science and technology studies into the domain of sociology of art, she develops a pragmatist approach that turns attention to how evolving objects influence the social settings of their making. She has followed creative work practices and valuation processes in film and design.

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Published

2023-02-13

How to Cite

Strandvad, S. M. (2023). From Gung Ho Heroes and Their Tragic Counterparts to Catalyst Characters: Figures of the Cultural Entrepreneur in the Scholarly Literature . Artivate: A Journal of Entrepreneurship in the Arts, 11(2). https://doi.org/10.34053/artivate.11.2.178

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Articles